To show the range of what I do, here is a landscape design project in Longmont, Colorado, that is much more subtle than much of my work. This open, spacious garden has a large arrival plaza that also serves as a paved play surface for kids. There’s a nice [...]]]>

Entry to Longmont Prairie-Style Landscape Design

To show the range of what I do, here is a landscape design project in Longmont, Colorado, that is much more subtle than much of my work. This open, spacious garden has a large arrival plaza that also serves as a paved play surface for kids. There’s a nice combination of precast concrete cobbles and concrete flatwork.  A row of trees give a touch of formality, both accompanying the driveway and framing the arrival parking plaza opposite the house and garage.

View of Plaza, Perennials, Low Wall in Background

Another feature that is not very noticeable in the photos is the use of a lot of stone walls to echo the architecture of the house and give definition of the arrival plaza area. These walls form a circumference around the arrival plaza on the north and west sides, set back from the plaza the same distance as the house is set back from the plaza.

Longmont Garden: Dry-Stack Pillar, Wall

These walls are of dry stack sandstone, picking up the architecture of the house. Perennial beds below and on top of the walls add to the subtle yet strong spacial definition of the entry garden area. I’ve incorporated perennials that bloom in a progression, spring through fall.

Gate with Perennials

This garden makes broad, sweeping gestures, with some big boulders of the same materials as the walls here and there in the rest of the landscape. I’ve used more low, long stone gestures of rock rather than upright, vertical ones to fit the lay of the land. The home is a prairie style home with low, sweeping roofs and an open wraparound porch. Just as the architecture picks up the prairie setting with the mountains in the background, the landscape picks up these gestures of the architecture, relating them even more to the gestures of the given surrounding landscape. Taking my cue from these forms and colors, my aim was to further harmonize the architecture with the setting, using the landscape design to accentuate and weave them together even more.

I was describing this landscape design in these terms to a friend of mine, who commented, “You know, Tom, if I were actually sitting in that garden, I believe I would just have such a peaceful, contented feeling and have no idea why. I could pick out certain plants or rocks that I would think are pretty, but I really wouldn’t have a clue about how the whole thing flows together to create this sense of harmony. Now having your explanation of how the various elements all work together, I can get a little glimpse of how you understand and appreciate the landscape, the building architecture, and the surroundings.”